Формат — 210x273 мм.

Объем — 373 стр.

ISBN: 978-5-519-58750-1

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Tectonics of the visual image in the poetry of antiquity and Christian Europe

L. I. Taruashvili




Solving for the bulk of your research you have any problems or lack of sufficient prerequisites for architecture in the cultural and historical archetype of Christian Europe, the author of the book naturally reduces the problem to the question of the presence or absence in the very foundations of the European-Christian cultural predisposition to tectonics as the intrinsic value of aesthetic quality. To answer this question, the Author refers primarily to visual images of the poetry, with whose views of nature, no tectonics, no atektonichnost not connected naturally by playing it, as a rule, a minor role, but whose presence in it for this reason, the most symptomatic of the cultural and cultural point of view. Comparative analysis of texts of ancient and European-Christian poetry leads to the conclusion that the main indicator of tectonics, in order, with all the brilliance of its artistic manifestations, with all its necessary since the Renaissance as a civilized socio-psychological factor was the European-Christian context of the phenomenon of the genetically average and not only because of the influence of Roman monuments available order samples from them, but also because the indigenous features of Christian Europe as a form of culture.